1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | The Embrace | Portrait of a woman with a large hat | Portrait of the Publisher Eduard Kosmack (mk12) | Edith Schiele,Seated (mk12) | Young Mother |
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Albert Besnard
1849-1934 French Albert Besnard Art Locations (b Paris, 2 June 1849; d Paris, 4 Dec 1936). French painter, printmaker and designer. He was born to an artistic family and was precociously talented. In 1866 he entered the Ecole des Beaux-Arts, where he studied under Jean Franois Brmond (1807-68) and Alexandre Cabanel. His Salon dbut in 1868 and his subsequent entries were well received, and in 1874 he won the Prix de Rome with the Death of Timophanes, Tyrant of Corinth (Paris, Ecole N. Sup. B.-A.). Remaining in Italy for five years, Besnard worked in an academic style influenced by Pietro da Cortona and Michelangelo.
Barbara Bodichon
1827-1891 was an English educationalist, artist, and a leading early nineteenth century feminist and activist for women's rights. She was the illegitimate child of Anne Longden, a 25-year-old milliner from Alfreton, and Benjamin Leigh Smith (1783-1860) , an MP's only son, who was himself a Radical MP for Norwich. Benjamin (Ben) had four sisters. One, Fanny Smith, married into the Nightingale family and produced a daughter, Florence Nightingale; another married into the Bonham-Carter family. Ben's father wanted him to marry Mary Shore, the sister of William Nightingale, now an in law by marriage Ben Smith's home was in Marylebone, London, but from 1816 he inherited and purchased property near Hastings: Brown's Farm near Robertsbridge, with a house built around 1700 (extant), and Crowham Manor, Westfield, which included 200 acres. Although a member of the landed gentry, Smith held radical views. He was a Dissenter, a Unitarian, a supporter of Free Trade, and a benefactor to the poor. In 1826 he bore the cost of building a school for the inner city poor at Vincent Square, Westminster, and paid a penny a week towards the fees for each child, the same amount as paid by their parents. On a visit to his sister in Derbyshire in 1826 Smith met Anne Longden, a 25-year-old milliner from Alfreton. She became pregnant and Smith took her to a rented lodge at Whatlington, a small village near Battle, East Sussex. There she lived as 'Mrs Leigh', the surname of Ben Smith's relations on the Isle of Wight. Barbara's birth created a scandal because the couple did not marry. Smith rode on horseback from Brown's Farm to visit them daily, and within eight weeks Anne was pregnant again. When little Ben was born the four of them went to America for two years, during which time another child was conceived. On their return to Sussex they lived openly together at Brown's, and had two more children. After their last child was born, in 1833, Anne became ill with tuberculosis and Smith leased 9 Pelham Crescent, which faced the sea at Hastings
Jean Francois de troy
French Neoclassical Painter, 1679-1752 was a French Rococo painter and tapestry designer. He was one of a family of painters, being the son of the portrait painter François de Troy (1645-1730), under whom he first studied, and at whose expense he went to Italy 1699-1706, staying in Rome, but also visiting many north Italian cities. Jean François de Troy was born on January 27, 1679 in Paris. The successful career of Jean François de Troy was based initially on large historical and allegorical compositions, such as Time Unveiling Truth (1733) in the National Gallery, London, but he is now most highly regarded for his smaller and more spirited scenes of elegant social life. They are among the best of those that rode on the wave of Watteau's success indeed The Alarm, or the Gouvernante Fidele (Victoria and Albert Museum, London, 1723) was attributed to Watteau in the 19th century. A versatile artist, he made tableaux de modes famous, painting histories and mythologies in a colourful and fluent manner which owed something to both Veronese and Peter Paul Rubens. He undertook commissions for Versailles and Fontainebleau between 1724 and 1737, and designed two sets of tapestries for the Gobelins, each of seven subjects, the Histoire d'Esther (1737-40) and the Histoire de Jason (1743-6).